Remnants (2017-present)
What do spaces hold after people leave?
Remnants (2017–present) is an ongoing photographic series made in the streets, alleyways, and parking lots of cities I move through and bear witness to — the unglamorous edges of urban life, otherwise obsessed with its own image. I photograph slowly, without staging or manipulation, the spaces a city is built on but never asked to look at: stacked chairs against a tiled wall, a payphone on a corner nobody calls from anymore, shopping carts that have gathered themselves beneath a bougainvillea, a trash can refracting a private rainbow.
The work is not a salvage operation. It is an attention practice. The dignity is not added; it was always there.
The autobiographical thread is quiet but central. I have moved through the world feeling unseen for much of my life, and I find that experience shapes what I notice and how. To photograph the overlooked is also, in a small way, to identify with it.
These spaces were not staged for me. I did not make them. I arrived, I waited, and they were already brilliant.
Daily Bread (2017)
A Seat at the Table (2017)
Self Portrait (2017)
Disconnected (2018)
Dream Center (2019)
For dreamers only (2019)
Danbo in the Wild (2024)
Mattress for Sale (2019)
Barking dog at the window (2024)
Shadows of Light (2018)
Kismet (2019)
Let the light in (2022)
Apt 285 (2022)
Veiled Roses (2025)
Gas Station Planter (2025)
Street Lamp (2024)
Mop Meeting (2025)
Audience (2022)
Rainbow Bin (2025)
Palm in the Sky (2022)
High (2026)
The Red Door (2022)
Marriage (2026)
They are all good eggs (2021)
Therrien's Brushes (2026)
Floating Bag on a Clothesline (2026)
Shrimp Sign (2026)
Free Chair (2025)
Campfire (2026)
On the Way (2026)
Thank you for shopping with us (2025)
Cone Scene (2026)
Bifurcation (2026)
Broken Windows (2026)
Cloaked (2026)
White Pigeon (2024)
Looking Forward (2026)
